Fezziwig/ Old Josie/ Lead Caroler - Carmen Garcia First Solicitor/Fezziwig/Undertaker - J.Christmas Future/ Watchworks - Eric Dean White*.Christmas Present/ Bert - Paul Aguirre*.
Christmas Past/ Betty - Laakan McHardy*.Assistant Stage Manager Sarah Luedloff*.Youth Choreography Assistant Ebony Absher.Assistant Projections Designer Erin Teachman.Associate Sound Designer Michael Costagliola.Assistant Lighting Designer Jonah Schnell.Assistant Costume Designer Heather Stanley.Webster Conservatory Assistant Director Nathan Shu.Roberts and Charles Coes - Composers and Sound Designers 7:00PM - Youth Ensemble Green Buy TicketsĨ:00PM (Club Rep Night + Post Show Discussion) - Youth Ensemble Blue Buy TicketsĨ:00PM - Youth Ensemble Green Buy TicketsĢ:00PM (Open Captioning) - Youth Ensemble Blue Buy TicketsĢ:00PM (ASL Interpreters Provided) - Youth Ensemble Green Buy TicketsĢ:00PM (Post Show Discussion) - Youth Ensemble Blue Buy TicketsĢ:00PM - Youth Ensemble Green Buy TicketsĨ:00PM (Closing & Audio Descriptions) - Youth Ensemble Blue Buy Tickets
#A christmas carol play scripts free
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Ghost of Christmas Future (non-speaking). There are two roles that were played in the premiere production by puppets but could be actors. Charity Collector / Jacob Marley / Ghost of Christmas Present. Fred / Mrs Cratchit / Belle / Carol Singer. Narrator (could be Dickens) / Mr Fezziwig. Charity collector / Jacob Marley / Mrs Fezziwig / Ghost of Christmas Present. Fred / Mrs Cratchit / Young Belle / Older Belle / Carol singer / Caroline. Narrator (could be Dickens) / Mr Fezziwig / Belle’s husband / Cratchit guest / Topper / Man in debt / M1 + F1 with audience members. Tiny Tim and the Ghost of Christmas Future are written as puppets, but could be performed by actors, as could two members of the audience (the man and woman in the street), and the boy that Scrooge talks to at the end. For example, a director could cast more than five actors, as there is a cornucopia of characters. The play can also be performed using more actors and with recorded sound effects, or without audience involvement or a mixture of both. The audience could use ‘real’ props, such as a bell for tolling, or clanking chains. The audience members will probably be in rows, so a whole row could be the wind or bells etc alternatively if they are at tables each one could be a sound effect. The audience must not feel forced into taking part but should be encouraged to participate, almost in Music Hall or Pantomime style. The actors may also be required to ad-lib at times. Cast members suggest the audience repeat certain lines, for example, toasting Scrooge, and also to join in the guessing game that Fred plays. Two (or four) members of the audience can join the cast and say a few lines as characters. Envelopes can be handed out with basic instructions for them, suggesting sound effects such as: ghostly wails howling wind bells individual bell chimes carol singing clanking of chains and festive merriment. The play begins with an introduction by the narrator explaining to the audience about their involvement. The audience are invited to take part if they wish as human sound effects either singly or in groups which adds to the ‘experience’! The production can also be performed using more actors and recorded sound effects without audience involvement or a mixture of both. By Charles Dickens, adapted by James ReynardĪn adaptation of the famous Christmas tale, designed for a small touring company, but could be played by a large cast.
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